Journalism

Some souvenirs are harder to take home than others

First published in Sunday Times, in The Accidental Tourist column

During our stay in Buenos Aires we were determined not be just your typical tourists. We wanted to really get to know the place. We ended up staying almost six months, walking the length and breadth of the city, tentatively learning Spanish and eating and living among the locals.  In this way, we ended up staying almost six months ‒ walking the length and breadth of the city, tentatively learning Spanish and eating and living among the locals. Of course, as any seasoned traveller knows, quirks don’t go away while you’re in a foreign country ‒ they only get worse! And so it was that our keen appreciation (or rather unbridled obsession) for church fêtes and junk shops got completely out of hand. So much so in fact that when we were packing up ‒ apart from the antique silver, a couple of bottles of wine won at a church tombola and vintage clothes from the 1930s ‒ we had to fit in a brass bicycle pump, a rather reprehensible twin-fox fur stole complete with glass eyes and a lovely giant stone rosary. Yet the most troublesome of all this motley crew all was undoubtedly the Madonna.

She had been acquired after only one month in the Paris of the South. When my partner J brought her back from his latest scouting trip, all I could do was languish in bed and gaze at her in admiration. Undeniably kitsch ‒ she was a large painting of a beautiful, young, dark-haired Madonna reposing in an olive grove and swathed in white cotton, holding a very blonde baby Jesus. Mother and child gaze benignly at you and, if you look closely, you can see the faint vestige of her halo.

On the day of our departure, we got up extra early as I have an unfortunate penchant for missing flights. We dragged our overstuffed bags and bundles down the stairs, and waited in the hallway for the taxi. When our landlady came to say goodbye, she gazed admiringly at the Madonna and pronounced: “¡Qué Hermosa!” (How beautiful!) J gently suggested that I give it to her, to say thank you, as well as saving us a great deal of trouble. With a twinge of guilt, I said no, I’m keeping her. When the cab finally pulled up, just like that, it started bucketing down. At this stage (even though much more than half of our lumpy luggage was his) J was starting to get annoyed. We squeezed into the tiny vehicle, with the Madonna uncomfortably wedged against his knee.

We had barely caught a glimpse of the airport terminus when the little car broke down. Gesticulating wildly and unable to explain to us what was happening in English, the taxi-driver kept trying to re-start the engine. To no avail. After the battery had drawn its last breath, he phoned airport security to send a shuttle. We piled our interminable belongings onto a golf cart/Noddy car and, hanging on for dear life and drenched to the bone, we arrived at the terminus with moments to spare.

We ran off and joined a long queue, only to discover that it was for the wrong airline! When we finally reached the end of the right queue, we were duly informed that although the luggage was (thankfully) not overweight, we were only allowed four pieces. The Madonna had to be somehow strapped onto one of our two giant streepsakke! So we rushed her off to be cling-wrapped. But the wrapping guy cheerily said it would cost us double, seeing as it’s two items. What? Without a word, J turned on his heels and marched back to the boarding counter. The final blow came when a young, fresh faced official informed us that we now had to pay $90 (around R600 at the time) but… the police have to check her out first because she may be a holy relic. It was at this precise moment that J lost what little patience he had left.

Now, it is important to note that the Argentineans are a quiet lot. They are not like the Italians or even the Brazilians. They do not understand excessive gestures. So when we erupted into a full blown argument, they couldn’t believe it. I will never forget the look of consternation on the young airport official’s face when I cried: “Take it, you can take it, I give it to you as a gift!” and thrust it into his hands. After all THAT, even I was somewhat relieved to be free of the intractable Madonna.

Back back at Cape Town airport, as we waited at the conveyor belt for our suitcases ‒ there she was, wrapped in a cellophane shroud, leading the procession of luggage… our eternal Madonna.

 

Journalism

Exploring Reza de Wet’s dreamscape

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During this year’s Graduation weekend, the wider Rhodes University community are in for a rare treat ‒ a mixed-media, multicultural, and many-faceted response to the work of renowned playwright, Reza de Wet.

Drifting features an eclectic mix of senior postgraduate students and professional performers, with choreography by Juanita Finestone-Praeg and Athina Vahla, design by the new head of Design at the Drama Department, Illka Louw and performances by Andrew Buckland and Levern Botha.

 

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Journalism

‘Old but still kiff’ ‒Buckland lauded for lifetime contribution to theatre

 

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Photo: Bevan Davis

Professor Andrew Buckland has often been described as a doyen of South African theatre. This may be a hackneyed phrase- but when you look back on his varied and rich career of over 30 years, the magnitude of his contribution to the performing arts is immutable.

 

 

 

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Journalism

A Bantu in my Bathroom

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Eusebius McKaiser Photo: Anna-Karien Otto

For Eusebius McKaiser the personal is the political.

Family, race, sexuality, culture ‒ he doesn’t hesitate to highlight the connection between our lives and thorny issues that plague the public sphere. Considered as one of South Africa’s more progressive thinkers, he asked some tough questions of the audience that gathered to hear about his latest book, A Bantu in My Bathroom, on Friday afternoon.

Taking umbrage against the term ‘bantu’ had actually prompted some students to tear down a few of the posters advertising the event. Known as an iconoclast and a provocateur, McKaiser relished this reaction, promptly starting off his talk by questioning the assumption that Rhodes is perceived as being the most liberal campus in South Africa.

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Journalism

The other side of Orania

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Mere mention of the word ‘Orania’ conjures up images of militant Afrikaners of pro-Nazi proportions, intent on separating themselves from the so-called new South Africa.

But this is not what journalists Michael Hammond and Hanlie Retief discovered at all. Instead they found a devoted community of mostly working class Afrikaners, peopled by a host of colourful characters eager to share why they love living there.

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Journalism

Land of mirrors and metaphors

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Jean McNiel Photo: Anna-Karien Otto

The beautifully desolate, frozen landscape of the polar regions has fascinated many people for centuries.

Prize-winning writer and activist Jean McNeil gave us a rare glimpse into what she calls “the oracle at the end of the world”‒ the Antarctic, by presenting a talk the English department last week.

A senior lecturer in Creative Writing at the University of East Anglia, McNeil is a visiting scholar of the Mellon Foundation and the University of the Western Cape, where she teaches creative writing for part of the year. “Wild Places – Imaginative Writing and the Environment” discussed the experience of writing fiction, narrative non-fiction and poetry with wild places as the primary inspiration and idea driving creative work.

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Journalism

Valley authors celebrate their love of writing

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Mike Nicol; Sarah Lotz; Savannah Lotz; Diane Awerbuck. Photo: Anna-Karien Otto

Four renowned South African writers (all fiercely proud Valley residents) shared their thoughts on their craft at a fascinating talk held in celebration of the 60th anniversary of Fish Hoek Library. A warm atmosphere of mutual admiration and camaraderie prevailed, injected with a strong dose of self-deprecating humour.

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