Welcome to my world! I am Anna-Karien Otto, a writer living in the Boland region of South Africa. I like to think of this space as a secret library, a tea party, a welcoming kitchen or even a magic toy shop where we can explore all sorts of treasures together. This is where I share my passions for food writing, children’s books, poetry and so much more!
It was a bucolic time when The Two Fat Ladies burst onto our screens in a puff of cartoon smoke and bravado. And burst they certainly did, with Jennifer Paterson driving pell-mell through the British countryside in a glorious Triumph Thunderbird while Clarissa Dickson-Wright grinned benignly at us from the sidecar. In one fell swoop, they made the world realise that English food may have the reputation for being boring but it sure as hell doesn’t have to be. Echoing the devil-may-care eccentricity of Julia Child and the generous verbosity of Keith Floyed, these two friends made British TV cooks famous, paving the way for Jamie and Nigella to follow in their wake.
First published in Sunday Times, in The Accidental Tourist column
During our stay in Buenos Aires we were determined not be just your typical tourists. We wanted to really get to know the place. We ended up staying almost six months, walking the length and breadth of the city, tentatively learning Spanish and eating and living among the locals. In this way, we ended up staying almost six months ‒ walking the length and breadth of the city, tentatively learning Spanish and eating and living among the locals. Of course, as any seasoned traveller knows, quirks don’t go away while you’re in a foreign country ‒ they only get worse! And so it was that our keen appreciation (or rather unbridled obsession) for church fêtes and junk shops got completely out of hand. So much so in fact that when we were packing up ‒ apart from the antique silver, a couple of bottles of wine won at a church tombola and vintage clothes from the 1930s ‒ we had to fit in a brass bicycle pump, a rather reprehensible twin-fox fur stole complete with glass eyes and a lovely giant stone rosary. Yet the most troublesome of all this motley crew all was undoubtedly the Madonna.
She had been acquired after only one month in the Paris of the South. When my partner J brought her back from his latest scouting trip, all I could do was languish in bed and gaze at her in admiration. Undeniably kitsch ‒ she was a large painting of a beautiful, young, dark-haired Madonna reposing in an olive grove and swathed in white cotton, holding a very blonde baby Jesus. Mother and child gaze benignly at you and, if you look closely, you can see the faint vestige of her halo.
On the day of our departure, we got up extra early as I have an unfortunate penchant for missing flights. We dragged our overstuffed bags and bundles down the stairs, and waited in the hallway for the taxi. When our landlady came to say goodbye, she gazed admiringly at the Madonna and pronounced: “¡Qué Hermosa!” (How beautiful!) J gently suggested that I give it to her, to say thank you, as well as saving us a great deal of trouble. With a twinge of guilt, I said no, I’m keeping her. When the cab finally pulled up, just like that, it started bucketing down. At this stage (even though much more than half of our lumpy luggage was his) J was starting to get annoyed. We squeezed into the tiny vehicle, with the Madonna uncomfortably wedged against his knee.
We had barely caught a glimpse of the airport terminus when the little car broke down. Gesticulating wildly and unable to explain to us what was happening in English, the taxi-driver kept trying to re-start the engine. To no avail. After the battery had drawn its last breath, he phoned airport security to send a shuttle. We piled our interminable belongings onto a golf cart/Noddy car and, hanging on for dear life and drenched to the bone, we arrived at the terminus with moments to spare.
We ran off and joined a long queue, only to discover that it was for the wrong airline! When we finally reached the end of the right queue, we were duly informed that although the luggage was (thankfully) not overweight, we were only allowed four pieces. The Madonna had to be somehow strapped onto one of our two giant streepsakke! So we rushed her off to be cling-wrapped. But the wrapping guy cheerily said it would cost us double, seeing as it’s two items. What? Without a word, J turned on his heels and marched back to the boarding counter. The final blow came when a young, fresh faced official informed us that we now had to pay $90 (around R600 at the time) but… the police have to check her out first because she may be a holy relic. It was at this precise moment that J lost what little patience he had left.
Now, it is important to note that the Argentineans are a quiet lot. They are not like the Italians or even the Brazilians. They do not understand excessive gestures. So when we erupted into a full blown argument, they couldn’t believe it. I will never forget the look of consternation on the young airport official’s face when I cried: “Take it, you can take it, I give it to you as a gift!” and thrust it into his hands. After all THAT, even I was somewhat relieved to be free of the intractable Madonna.
Back back at Cape Town airport, as we waited at the conveyor belt for our suitcases ‒ there she was, wrapped in a cellophane shroud, leading the procession of luggage… our eternal Madonna.
During this year’s Graduation weekend, the wider Rhodes University community are in for a rare treat ‒ a mixed-media, multicultural, and many-faceted response to the work of renowned playwright, Reza de Wet.
Drifting features an eclectic mix of senior postgraduate students and professional performers, with choreography by Juanita Finestone-Praeg and Athina Vahla, design by the new head of Design at the Drama Department, Illka Louw and performances by Andrew Buckland and Levern Botha.
As much I love a good salad, in winter it becomes a chore to eat. The quality of fresh ingredients declines, tomatoes don’t ripen and it feels like your hands may develop frostbite while you rinse lettuce in that icy water. I find I am inclined to turn my greens into a luscious dip which I slather over roasted vegetables hot out the oven.
As acerbic journalist Lin Sampson once wrote, snoek is the most underrated fish in South Africa. And it certainly is the king of fishes, if you take a little trouble to track it down. A long, thin species of snake mackerel, snoek can be purchased fresh from the docks along all along the coast of the Western Cape of South Africa, as coloured people have been fishing and eating snoek for generations.
Professor Andrew Buckland has often been described as a doyen of South African theatre. This may be a hackneyed phrase- but when you look back on his varied and rich career of over 30 years, the magnitude of his contribution to the performing arts is immutable.
It has been raining solidly for days and after a difficult year of water restrictions here in the Western Cape of South Africa, we are reveling in an abundance of water.
The almost four year-long drought hasn’t broken yet, but as I write this our dams are just a hair’s breadth away from being filled to 50% capacity so we are whooping with joy and relief. This means that because we managed to adequately save water, and must keep doing so, the pall of Day Zero is no longer an impending reality.
According to ancient custom, poppy seeds have been used as a remedy to aid sleeping, promote fertility and increase wealth, and were even believed to impart magical powers of invisibility.
Poppy seeds are largely overlooked in South Africa (apart from the cloyingly commercial lemon and poppy seed muffins) but they have long been a favourite of mine.